Selected Publications & Reports

The Stolen 1709 Mendelssohn Stradivari Violin Emerges

The Lost Music Project recently discovered the whereabouts of the 1709 Mendelssohn Stradivari violin, missing for nearly 80 years. Astonishingly, this violin had transformed into the “1707 Stella” Stradivari violin (also c. 1707) — with a different date, name, history, and provenance. The violin’s changed identity, along with its long private possession, made it difficult to detect.

Video comparison: This video is an overlay of (1) a pre-theft monochrome photograph of the 1709 Mendelssohn Stradivari violin (Mendelssohn-Bohnke Papers) and (2) a color photograph of the violin now referred to as the 1707 “Stella” Stradivari violin (and c. 1707), 2000 (photo credit: Tarisio).  (Click the box to enlarge the video.)

This Stradivari, owned by the Mendelssohn-Bohnke family, was stolen in Berlin from a bank safe rented by the Mendelssohn Bank, forced into liquidation during the Nazi era because of its Jewish ownership. After the violin’s theft, it took another 50 years for this Stradivari to surface in Paris in the long shadow of the Nazi era and after the fall of the Berlin Wall in 1989, the reunification of Germany in 1990, and the dissolution of the Soviet Union in 1991. This violin then appears to have passed in the stream of commerce involving those in France, Britan, the U.S., Switzerland, Austria, and Japan.

This is a cautionary story about the importance of provenance — an object’s history of ownership, and the need for access to provenance evidence.

Below are links to both a brief summary and a preliminary report based on primary sources, witness interviews, and other information. Research is continuing.


Wanda Landowska with her 17th century clavichord, looted by the Einsatzstab Reichsleiter Rosenberg’s Sonderstab Musik in 1940. Photo credit: Library of Congress, Washington D.C.

Wanda Landowska with her 17th century clavichord, looted by the Einsatzstab Reichsleiter Rosenberg’s Sonderstab Musik in 1940. Photo credit: Library of Congress, Washington D.C.

"The Nazi Confiscation of Wanda Landowska’s Musical Collection and Its Aftermath,” by Carla Shapreau, Polin: Studies in Polish Jewry, eds., François Guesnet, Benjamin Matis, Antony Polonsky, Vol. 32, The Littman Library of Jewish Civilization in association with University of Liverpool Press, 2020


Erard Piano Ledger, Musée de la musique Archive (Cité de la musique - Philharmonie de Paris)

The Looted Enoch Erard Piano — Serial No. 68,037

On July 29, 2020, National Public Radio published a story by reporter Eleanor Beardsley that highlighted the Nazi-era looting of a rosewood Erard grand piano from the Enoch family in Paris. The Lost Music Project wishes to provide some additional detail regarding this unresolved musical loss.


"Documenting the Violin Trade in Paris: The Archives of Albert Caressa and Émile Français, 1930-1945,” by Carla Shapreau, Christine Laloue, and Jean-Philippe Échard, in Collecting and Provenance: A Multidisciplinary Approach, eds., Jane Milosch and Nick Pearce, Smithsonian Provenance Research Initiative, Smithsonian Institution and University of Glasgow in association with Rowman & Littlefield Publishing Group, October 2019


Ferrell-Vogüé_Machaut_manuscript_Shapreau.png

The Plunder and Restitution of Vg: The Nazi Era and its Aftermath, 1940–9,” The Ferrell-Vogüé Machaut Manuscript, Introductory Study, by Lawrence Earp with Domenic Leo and Carla Shapreau, Digital Image Archive of Medieval Music Publications, Oxford University, 2014. American Musicological Society Claude V. Palisca Award, 2015


“Bells in the Cultural Soundscape: Nazi-Era Plunder, Repatriation, and Campanology,” in The Oxford Handbook of Musical Repatriation, eds., Frank Gunderson, Robert C. Lancefield, and Bret Woods, Oxford University Press, 2018/2019


"German Panel Rules That a Rare Violin Was Looted by Nazis," by Graham Bowley and Carla Shapreau, New York Times, December 9, 2016


“The Austrian Copyright Society and Blacklisting During the Nazi Era,” by Carla Shapreau, The OREL Foundation, 2014


“The Vienna Archives: Musical Expropriations During the Nazi Era and 21st Century Ramifications,” by Carla Shapreau, Austrian Marshall Plan Foundation Report, 2014


The Loss of French Musical Property During World War II, Post-War Repatriations, Restitutions, and 21st Century Ramifications,” by Carla Shapreau, France-Berkeley Fund Report, 2013


“A Violin Once Owned by Goebbels Keeps its Secrets,” by Carla Shapreau, New York Times, September 21, 2012


“The Stolen Instruments of the Third Reich,” by Carla Shapreau, The Strad, December 2009

 

“Musical Cultural Property: The Nazi Era and Post-War Provenance Challenges,” by Carla Shapreau, Looted Art Working Group, EU Conference Proceedings, Prague, Czech Republic, June 26 - 30, 2009, pp. 1027-37